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Bianca Scacciati with Francesco Merli and Tancredi Pasero in two dramatic scenesLabel: Columbia - GQX 10213Format: Shellac, 12", 78 RPMCountry: Released: Genre: Classical La Forza Del Destino: Final Trio Io Muoio!... Non ImprecareBass Vocals – Tancredi PaseroTenor Vocals – Francesco Merli/ Loreley: O Forze ReconditeConductor – Lorenzo MolajoliOrchestra – Professori d'Orchestra Del Teatro Alla ScalaOrg Issue Italian Columbia 12" 78 rpm recordCondition: Better than EXCELLENT close to PRISTINE faintest scuff, plays E+ EXCEPTIONALLY QUIET A SUPERB COPY Bianca Scacciati Biography [ edit ] " "This unsurpassed soprano who reported successes of the most enthusiastic audiences and critics in the major Italian and foreign theaters, is undoubtedly one of the stars of greater magnitude. His warm voice, powerful, pure accent, stylized, from acute portentous, has quickly imposed his personality. Ove Bianca passes is driven away the delusion, the triumph, the enthusiasm. among its many interpretations and prodigious record: Cavalry, Huguenots, Trovatore, Lohengrin, Aida, Ballo in Maschera, Turandot , Tosca, etc.. " "( Note advertising comes from the General Catalogue Columbia 1930 ) Famous dramatic soprano, on 1 November 1917 , just twenty-four, he made ??his debut in the complex role of Marguerite in Faust by Charles Gounod in Italian, at the Teatro alla Pergola in Florence, continuing with the same role at the Teatro Comunale di Bologna , with alongside famous artists such as Alessandro Bonci (Faust), Vincenzo Bettoni (Mephistopheles) and Luigi Piazza (Valentino).Driven out of the little the will tread the boards of the most important Italian theaters and abroad.On 27 July 1920 she sang at the Arena di Verona, in one of the first seasons of the glorious theater, Mefistofele by Boito, alongside Nazarene De Angelis , Aureliano Pertile , Linda Ricci Barla, conductor Piero Fabbroni.In 1922 he played three important roles in the season of the Teatro Regio in Parma : Desdemona in Verdi, Catalani's La Wally and Margherita in Mefistofele by Boito, and the same year he played Margherita in Mefistofele by Boito at the Teatro Carlo Felice in Genoa, with De Angelis and Pertile, director Gino Marinuzzi.In 1927 he made ??his debut at Covent Garden Theatre in London in the London premiere of Turandot by Giacomo Puccini , in the title role, alongside the tenor Francesco Merli .At the Teatro alla Scala in Milan will play, among other works: in 1926 Turandot , in the title role, alongside content Merli, in the same year in the role of Santuzza in Cavalleria Rusticana , following Don Carlo , still Cavalleria rusticana , Siberia U Jordan and I Lombardi in the first Crusade of G. Green, becoming an authoritative presence and the applicant until 1933 .At the Teatro Costanzi in Rome triumphed in Tosca in 1924 , and then was also Turandot in '28, a work that saw her again the protagonist at the Teatro San Carlo in Naples in 1929 .Subsequently he sang at the Teatro Colón of Buenos Aires in 1928 in Aida , Il Trovatore , Manon Lescaut and Un Ballo in Maschera . Also in South America has also sung in Rio de Janeiro and Sao Paulo in Brazil , in the late '20s, alongside famous colleagues.She retired from the scene in 1942 , after singing in the title role, "Tosca" at the Teatro di Brescia .Bianca Scacciati Scala [ edit ] Stable presence at La Scala from 1926 onwards, was admired by Arturo Toscanini for the charm of his voice and his excellent stage presence. Below is the work performed at La Scala Driven out by the various years:April 1926 - Tosca (Puccini) - Pertile (Cavaradossi), Stable (later Galeffi) (Scarpia), Baccaloni - Dir ToscaniniApril 1926 - Nero (Arrigo Boito) - Trantoul (Nero), Franci (Phanuel), Journet (Simon Magus) - Dir ToscaniniNovember 1927 - Otello (Giuseppe Verdi) - Trantoul (Othello), Stable (Jago) - Dir ToscaniniDecember 1927 - Siberia (Umberto Giordano) - Merli (Vassili), Baccaloni (Captain) - Dir PanizzaDecember 1927 - Cavalleria Rusticana (Pietro Mascagni) - Merli (Turiddu) Pushed (Santuzza) - Dir ToscaniniJanuary 1928 - Turandot (Giacomo Puccini) - Banished (Turandot), Merli (Calaf) (later Kiepura), Pampanini (Liu), Walter (Timur) - Dir PanizzaApril 1928 - Don Carlo (Giuseppe Verdi) - Trantoul (Don Carlo), Pasero (Philip II), Stignani (Eboli), Galeffi (Rodrigo), Walter (Grand Inquisitor) - Dir ToscaniniDecember 1928 - Tosca (Puccini) - Pertile (later Granda, then Kiepura) (Cavaradossi), Stable (later Galeffi) (Scarpia), Baccaloni - Dir SantiniMarch 1929 - Turandot (Giacomo Puccini) - Banished (Turandot), Favero (Liu), Thill (Calaf), Walter (Timur) - Dir PanizzaMarch 1929 - Un Ballo in Maschera - Pertile (Richard), Pushed (Amelia), Minghini-Cattaneo (Ulrica), Galeffi (Renato), Baccaloni (Tom) - Dir SantiniDecember 1929 - The Vestal (Gaspare Spontini) - Arangi-Lombardi (Then Vera Amerighi Rutile) (The great Vestal) Molinari (Cinna), Pushed (Julia), Vague (High Priest) - Dir GuarnieriDecember 1929 - La Forza del Destino (Giuseppe Verdi) - Banished (Leonora), Pertile (Don Alvaro), Stignani (Preziosilla), Molinari (Don Carlo), Marone (Father Guardian) - Dir FieldJanuary 1930 - Turandot (Giacomo Puccini) - Banished (Turandot), Thill (Calaf), Saracens (Liu), Walter (Timur) - Dir FieldFebruary 1930 - Il Trovatore (Giuseppe Verdi) - Lauri-Volpi (later Merli) (Count di Luna), Pushed (Leonora), Franci (Count di Luna), A. Dal Monte (then Stignani) (Azucena) - Dir GuarnieriDecember 1930 and January 1931 - The Lombards on the First Crusade (Giuseppe Verdi) - Merli (Orontes), Pushed (Giselda), Ciani (Arvino) Sabat (Acciano), Vague (Pagano and The Hermit) - Dir PanizzaDecember 1930 - La Forza del Destino (Giuseppe Verdi) - Banished (Leonora), Merli (Don Alvaro), Galeffi (Don Carlo), Vague (Father Guardian) - Dir FieldJanuary 1931 - Aida (Giuseppe Verdi) - Banished (later Pacetti) (Aida), Stignani (Amneris), Merli (later Taccani) (Radames), Galeffi (Amonasro), Righetti (high priest) - Dir FieldMarch 1931 - Norma (Vincenzo Bellini) - Banished (Norma), Mirassou (later Trantoul) (Pollio), Pasero (Oroveso), Stignani (Adalgisa) - Dir FieldDecember 1931 and January 1932 - Norma (Vincenzo Bellini) - Banished (Norma), Pertile (Pollio), Stignani (Adalgisa), De Angelis (Oroveso) - Dir Panizza (They were made ??only three of the four performances planned for the indisposition of content Verona, twice Pertile, committed to his time in the evening performance of Fedora ).April 1933 - Aida (Giuseppe Verdi) - Banished (later Cigna) (Aida), Pertile (Radames), Buades (Amneris), Franci (Amonasro), Santiago Font (high priest) - Dir De Sabata More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS - VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution
Price: 24.99 USD
Location: San Francisco, California
End Time: 2024-11-23T01:48:25.000Z
Shipping Cost: 7.49 USD
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Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: CLICK RIGHT ARROW > FOR CONDITION, Bianca Scacciati, Francesco Merli, Tancredi Pasero, Lorenzo Molajoli
Format: Record
Release Title: Forza Del Destino: Final Trio Io Muoio!/ Loreley: O Forze Recondi
Material: Shellac
Genre: Classical, Opera
Record Label: Columbia
Record Size: 12"
Style: A Capella, Aria, Ars Nova, Ballad, Barcarolle, Canon, Cantata, Canzona, Chorale, Duet, Eastern European Music, Elegy, Film Score/Soundtrack, France & Belgium, French Music & Chansons, German music, Germany & Austria, Italian Music, Lied, Lullaby, Madrigal, Mass, Motet, Musical/Original Cast, Oratorio, Requiem, Russian Music, Spanish Music, Traditional & Vocal, Vocal
Speed: 78 RPM
Language: English, French, German, Italian, Spanish
Catalog Number: GQX 10213, GQX-10213, GQX10213
